Etudes Littèratures
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Item قراءة في كتاب الشعرالجزائري الحديث: اتجاهاته وخصائصه الفنية لمحمد ناصر(UNIVERSITY OF AIN TEMOUCHENT, 2026) جميلة ،رسطاني; عبد القادر،معمر الدينThis study aims to examine modern Algerian poetry through Mohamed Nasser’s book Modern Algerian Poetry: Its Trends and Artistic Characteristics 1925–1975. It focuses on the main historical and cultural factors that contributed to its development, its major poetic trends and characteristics, as well as its artistic features in terms of language, style, imagery, structure, and themes. The study adopts the historical and descriptive-analytical approaches by tracing the development of Algerian poetry and examining the traditional conservative trend, the romantic trend, and the new trend, with an analysis of selected poetic models in light of Mohamed Nasser’s study. The study concludes that modern Algerian poetry underwent a gradual development influenced by the historical, cultural, and social transformations experienced by Algeria, moving from traditional forms towards greater innovation in language, imagery, structure, and rhythm while maintaining its national and artistic identity.Item قراءة في كتاب البشير الابراهيمي أدبيا لمحمد عباس(UNIVERSITY OF AIN TEMOUCHENT, 2026) وليد،كرارمة; عبد القادر،معمر الدينThis study examines Mohamed Abbas’s book entitled Al- Bashir Al-Ibrahimi as a Literary Writer, focusing on the literary and artistic aspects of Sheikh Mohamed Al-Bashir Al-Ibrahimi’s personality and highlighting his position in modern Algerian literature. The research is based on a central question concerning the extent to which Mohamed Abbas succeeded in highlighting the literary dimension of Al-Ibrahimi’s personality, identifying the main characteristics of his literary writings, ملخص 66 and examining the critical approach adopted by the author. The study relies on the descriptive method and consists of three chapters. The first chapter presents the theoretical and introductory framework by discussing Al-Ibrahimi’s life, upbringing, reformist role, and literary position, as well as introducing Mohamed Abbas and his book. The second chapter examines the literary features of Al-Ibrahimi’s writings through the study of political and social essays and several stylistic and rhetorical characteristics, including the rhetorical tendency, rhyme, irony, satire, and the use of Arab-Islamic heritage. The third chapter focuses on the critical value of the book by highlighting its strengths, particularly its attention to the literary dimension, documentation of Al- Ibrahimi’s texts, and connection between literature, reform, and politics, while also identifying some limitations, such as the dominance of descriptive and traditional rhetorical analysis, the limited use of modern critical approaches, and the lack of comparison with other writers. The study concludes that Al-Bashir Al-Ibrahimi as a Literary Writer represents an important foundational study that contributed to presenting Al-Ibrahimi as a literary writer alongside his roles as a scholar and reformer, revealing the interaction between literature, reform, and politics in his writings and opening the way for further studies using stylistic, pragmatic, argumentative, and comparative approaches.Item شعرية القلق في أدب المحنة :رواية فوضى الحواس أحلام مستغانمي أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) نور الهدى،صحراوي; سمية،بوقاسميةThis study aims to explore the literature of ordeal as a literary genre that conveys psychological, realistic, and existential crises through highlighting and aestheticizing the poetics of anxiety in the novel Chaos of the Senses. The writer transforms feelings of psychological, emotional, existential, realistic, and moral anxiety into a musical resonance that plays upon the strings of her linguistic guitar, distinguished by its rhythm and vivid imagery. She embodies inner depth through a unique style and artistic pattern, creating harmony between literary text and artistic form as an integrated structure expressing human suffering in a creative language that transcends mere narration and direct reporting. Through symbolic, suggestive, and allusive techniques, the novel reveals psychological complexes and inner disturbances that reflect the individual’s conflict between the self and the external environment, and how this conflict negatively affects the individual, reflecting the bitterness of reality and the complexities of childhood.Toxic relationships are among the leading factors that contribute to emotional trauma and mental health struggles, often leaving lasting psychological scars.Item الحركة السردية في الرواية البوليسية :المريض رقم 12 لمومنة نورهان نمودجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) شيماء،طيبي; أمينة،بلغولThis study aims to explore the narrative movemente introduced the detective novele, and discussed its origins as well as its main components, which include the crime , The invrstigation, The detective , the victim ,and the plot. As for the practical part we conducted an in –depth analysis of novel through its narrative structure its events are suspenseful and built around a tightly constructed plot that captures the reader’s attention what distinguishes this novel is that the detective is , in fact , the criminal in addition , the characters play a signficant role is shaping the plot with in narrative as the events evolve through thier actions.Item توظيف الرموز التراثية في الرواية الجزائرية المعاصرة: قراءة في روايات _اسماعيل يبرير_(UNIVERSITY OF AIN TEMOUCHENT, 2026) سهيلة ،سبي; حليمة، بلوافيThis dissertation, entitled The Employment of Heritage Symbols in Contemporary Algerian Fiction: A Reading of Ismail Yabrir’s Novels “Mawla Al-Hayra” and “Wasiyyat Al-Ma‘tuh”, seeks to explore the ways in which heritage symbols are employed in the construction of the narrative text and in enriching its artistic and intellectual dimensions. The study aims to reveal the presence of both tangible and intangible heritage within the narrative structure, while also examining the incorporation of folk, religious, and mythical heritage into the contemporary novel. These heritage elements are artistically reconstructed in a manner that reflects and serves the concerns of society. The research is based on the descriptive-analytical approach through textual reading and symbolic analysis.Item المركز والهامش في رواية هوارية لإنعام بيوض(UNIVERSITY OF AIN TEMOUCHENT, 2026) أسماء، سلامو; إيمان،بن سعيدIn our research, we addressed the topic of center and margin in the novel Howaria by Enaam Bayoud. Through our study, we were exposed to the concept of center and margin from its various literary, social, economic and political aspects, through revealing the relationship that lies between these two terms, from a relationship of competition and a relationship of integration, and this is due to the center's need for margin. The study also attempted to present the manifestations of the center and the margin in the novel by studying the central and marginalized characters in society and the struggle for survival, in addition to the chronological study related to the techniques employed by the novelist and the linguistic diversity that dominated the narrative text from classical, colloquial and French. We also encountered an approach between what is central and what is marginal in the novel, such as popular poetry and popular proverbs.Item تجليات السخرية السياسية و الإجتماعية في القصة الجزائرية القصيرة :قصة الشهداء يعودون هذا الأسبوع للطاهر وطار أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) سمية،شيخ ميلود; منقور،عبد الجليلSatire is a critical method and a purposeful intellectual tool that goes beyond mere entertainment to contribute to correcting behavior and alleviating social pressures , This role was clearly manifested in the writings of Tahar Wattar after independence ,where he employed satire as a biting tool to expose societal and authoritarian corruption, And to reveal the falsehood of political and social opportunism that exploited the suffering of vulnerable groups and the children of martyrs , in an effort to raise awareness in society and restore the true values of the revolution.Item ثنائية الموت والفن في روايات واسيني الأعرج :دراسة في تمثلات البطل الفنان و معاناته الوجودية(UNIVERSITY OF AIN TEMOUCHENT, 2026) مامة شهد،جمعي; آمنة، بن منصورMy study of the duality of death and art in the novels of Wasini al-Araj examines trepresentation of the artist-protagonist and his existential suffering. I attempted to trace these representations through his novels The Book of the Prince, The Guardian of Shadows, The Kingdom of the Butterfly, and The Lady of the Shrine. These novels present a comprehensive conception of death as a central structure governing the fictional world, not merely a fleeting event ending with the end of life. Art, too, appears in these novels as an act of resistance against death. Every work becomes an attempt to postpone annihilation or transform it into a comprehensible experience, rather than a silent endItem صورة الوطن ورمزية الأماكن في رواية "نوبةالغَرِيبَة" لمحمّدالأمين بن ربيع(UNIVERSITY OF AIN TEMOUCHENT, 2026) سارة،جيلالي; عبد الرزاق،علاItem السرد الذاتي وتمثلات الهوية الأنثوية في رواية "قلب من طين" لإلهام مزيود(UNIVERSITY OF AIN TEMOUCHENT, 2026) منال،بلبشير; مختارية،ضروThis study examines self-narration and the representations of feminine identity in the novel *Heart of Clay* by *Elham Mazyoud*. It begins with a theoretical introduction addressing the concepts of autobiography and self-narration, as well as their significance in Arabic literature. The first chapter is devoted to exploring the mechanisms of self-narration through an analysis of the first-person narrator and focalization in its various forms. The second chapter discusses the concept of feminine identity and the social, physical, cultural, and psychological factors that contribute to its formation. It also examines feminist literature as a field for expressing women’s issues and their various representations. Furthermore, the study investigates the representations of feminine identity and body writing in the novel as means of expressing the female self.Item تجليات السخرية السياسية والاجتماعية في القصة الجزائرية القصيرة :قصة الشهداء يعودون هذا الأسبوع للطاهر وطار أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) سمية،شيخ ميلود; منقور،عبد الجليلSatire is a critical method and a purposeful intellectual tool that goes beyond mere entertainment to contribute to correcting behavior and alleviating social pressures , This role was clearly manifested in the writings of Tahar Wattar after independence ,where he employed satire as a biting tool to expose societal and authoritarian corruption, And to reveal the falsehood of political and social opportunism that exploited the suffering of vulnerable groups and the children of martyrs , in an effort to raise awareness in society and restore the true values of the revolution.Item التراث الشعبي في النص الروائي الجزائري المعاصر من التوظيف الجمالي الى بناء الهوية الثقافية: رواية زهور الأزمنة المتوحشة لجيلالي خلاص أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) وئام،حاج محمد; عبد الجليل،منقورThe Algerian novel has embodied the reality of Algerian society and its historical, social, and cultural issues through its close relationship with popular heritage, which is considered a rich source from which the Algerian novelist has drawn various aspects of daily life. This relationship is clearly manifested in the novel “The Flowers of Wild Times” by the novelist Djilali Khalas, where various forms of popular heritage are evoked, such as proverbs, customs and traditions, and arts. This use has contributed to highlighting the cultural identity of Algerian society, reinforcing the values of belonging and authenticity, and reflecting the specificity of the Algerian popular environment in its various social and cultural dimensions.Item قراءة في كتاب القصة الجزائرية المعاصرة لعبد الملك مرتاض(UNIVERSITY OF AIN TEMOUCHENT, 2026) هديل ،سيدي يخلف; عبد القادر،معمر الدينThis memorandumseeks to provide a study-based vision regarding the nature of the contemporary Algerian short story, tracingitsdevelopmental stages-specificallyduring the period of French colonialism. Duringthis time, the Algerian intellectualutilizedtheirpen as a weapon to combat the authority of the French administration and to defendtheir land, identity, and Arabheritage. This wasachieved by addressing the social issues and concernsthatcharacterizedthat reality. Later, the Algerian intellectualmovedtowardsindependence. Throughthis book, "The Algerian Short Story: Contemporary Perspectives," by Dr. and Critic "Abdelmalek Mortad," whichisconsidered one of the most important literary and historicalprojects in Algeria and has contributed to enriching the Algerian and Arablibrary, the content of each of the "actions "Al- Jaza'iriyat" (The.↓ an Women/Stories) and "The 70 Short Stories" wasanalyzed.Item التيه الوجودي واستعادة الذاكرة المحلية في رواية "مولى الحيرة" لإسماعيل يبرير(UNIVERSITY OF AIN TEMOUCHENT, 2026) سميرة،جلايلي; مختارية،ضىروThis study aims to explore the manifestations of existential wandering in the novel Moula Al-Hayra by the novelist Ismail Yabrir. It examines images of loss, psychological anxiety, and alienation experienced by the characters within Unstable narrative spaces lacking stability. The study concludes that existential wandering has become a prominent feature of the contemporary novel, as it reflects the suffering of modern human beings in the face of a reality marked by marginalization, fragmentation, and the loss of meaning. The novel highlights how places are transformed into symbols that reflect isolation and fear.Item الرواية البوليفونية في الأدب الجزائري المعاصر: "وصية المعتوه" لإسماعيل يبرير نموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) نجاة،خليفي; مختارية،ضروThis study examines the polyphonic novel in contemporary Algerian literature through Wasiyyat al-Ma’touh by the writer Ismail Yabrir, focusing on how polyphony is manifested within the narrative text. It highlights the author’s reliance on the diversity of characters, the variation of their ideas, and the multiplicity of perspectives on events, which together contribute to the emergence of dialogism, where different viewpoints intersect and contrast. The study adopts a descriptive-analytical approach based on reading the novel and analyzing selected passages, with particular attention to the multiplicity of narrators and voices, as well as the presence of dialogism, contradictions, and symbolism, while also addressing social dimensions such as identity and the tendency toward rebellion. Ultimately, the study concludes that polyphony enhances the depth of the novel and provides the reader with wider possibilities for interpretation and understanding.Item اللغة السينمائية في الشعر الجزائري المعاصر ديوان "حرسني الظل" لأزراج عمر أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) هبة مختارية،بلعلاق; خديجة،بصالحThis study explores the phenomenon of "cinematic language" in contemporary Algerian poetry, specifically through an analytical study of the poetry collection Kharsani al-Zill (The Shadow Silenced Me) by the poet Omar Azraj. The research aims to investigate how Algerian poets utilize cinematic techniques—such as montage, framing, and intensification—to transcend the traditional structures of the poem. The study concludes that the integration of these techniques serves as a fundamental transformation, providing the poetic text with visual dynamism and multi-dimensional temporal and spatial perspectives. This transforms the poem into a cinematic space that bridges the essence of poetry with the movement of film, thereby enhancing the interaction between the creator and the reader through intensified imagery that deepens the aesthetic experience.Item الموروث الشعبي في قصص الاطفال _ سلسلة حكايات جزائرية شعبية لرابح خدوسي و عائشة بنت المعمورة(UNIVERSITY OF AIN TEMOUCHENT, 2026) كريمة ،ليابس; سمية ،بوقسميةThe algerian literary scene has recently witnessed a remarkable creative movement characterized by a tendency and inclination toward experimentation in various literary genres, particularly the short story. This trend is evident in the authors’ openness to new styles and techniques in writing, most notably the summoning and utilization of popular (folk) heritage within texts. This heritage encompasses multiple elements such as tales, proverbs, songs, customs, traditions, and wisdom, among others. In this context comes the series « algerian flok tales » by rabah khoussi and « aisha daughter of the well-inhabited » (aisha bint al- ma’moura) as a literary model that reimagines the utilization of folk tales within anarrative framework directed at the world of children.it has been reformulated in a modern style that bridges the heritage and educational dimensions,thereby ensuring that this legacy isbrought closer to the reader, especially children.Item قراءة في كتاب الأدب المغربي القديم نشأته و تطوره لمحمد مرتاض(UNIVERSITY OF AIN TEMOUCHENT, 2026) لويزة،تريبش; عبد القادر،معمر الدينThis thesis examines the book Mohamed Mertad entitled “Ancient Maghrebi Literature: Its Origins and Development.” The study focuses on the author’s vision of ancient Maghrebi literature and its historical evolution. The researcher adopted both historical and analytical approaches to explore the development of poetry and prose in the Maghreb since the Islamic conquest. The thesis highlights the cultural and civilizational factors that contributed to the emergence of Maghrebi literature and explains its interaction with Eastern and Andalusian literature. It also discusses major literary themes such as praise, asceticism, love poetry, and muwashahat. Furthermore, the study analyzes Mohamed Mertad’s critical method in interpreting literary texts and using heritage sources. The research concludes that his work is an important reference for preserving and promoting the heritage of ancient Maghrebi literature within Arabic culture.Item بلاغة السرد في رواية ملائكة لافران لإسماعيل يبرير(UNIVERSITY OF AIN TEMOUCHENT, 2026) صفاء ،بن زيان; الشيخ، هاملThis study addresses the topic of "The Rhetoric of Narrative" in Ismail Yabrir’s novel, Angels of L'Afran. It seeks to investigate the theoretical and procedural foundations that shape the aesthetics of narrative discourse within the text. The study begins by defining the conceptual framework of narrative rhetoric and examining the "experimental" experience in the literature of the Algerian Ordeal (Adab al-Mihna), highlighting the stylistic peculiarities that distinguish this novelistic endeavor. Furthermore, the study examines the structure of narrative discourse by analyzing: The semiotics of the title. The engineering of time and space. Character-building strategies. The polyphony of narrative voices. The research concludes by demonstrating how these elements coalesce to construct the text’s meanings and aesthetic dimensions. This makes the novel a unique model for utilizing odern narrative mechanisms to express reality through a distinguished artistic and rhetorical style.Item الأبعاد الاجتماعية في رواية صخرة الرماد لزينب لوت - سيزف في رحلة الصعود نحو القاع(UNIVERSITY OF AIN TEMOUCHENT, 2026) فاطمة زهرة،بومناد; محمد،ماكنيThe research summary does not typically begin with an introduction to The Rock of Ash. This study examines the social dimension of the phenomenon of The Rock of Ash. The social dimensions of this newly emerged literary type are manifested within the academic literary field in our country. The study was conducted through a literary approach that preserves the depth of social transformations observed in the monitored social segment. This was achieved by presenting the reality of society and portraying [unclear text] family environments that coexist with traditional values while accommodating their own life demands and personal perspectives. Within this framework, the study explores social individuals and the experience of The Rock of Ash, aiming to highlight this social phenomenon across its various dimensions. The research is structured into an introduction and two main sections.