Etudes Littèratures
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Item منطق السرد في الرواية الجزائرية المعاصرة - أنموذجا رواية فوضى الحواس لأحلام مستغانمي(UNIVERSITY OF AIN TEMOUCHENT, 2025) بن فضة, زهرة; بلغول, أمينةIn this novel, Chaos of the Senses, the novelist lives in a chaos of ideas in her narration of her novel, and because of the reality of Algeria, especially in the Black Decade, she crossed the sites of Algeria, adopting a narrative style that differs from the familiar contemporary narrative. In the midst of these psychological pressures and electrifying circumstances, she created, in her own way, a novel genre in which she took an aspect of every art, influenced by the novel series “One Thousand and One Nights,” as if she were playing the role of Scheherazade, who told stories to the king and made her heroes distinctive, such as “Khaled” and “Hayat” in their romantic story. Then we touch history in her novel, with the political circumstances since her father’s illness and the disintegration of relationships between three of his friends, the Mujahedeen. By virtue of her upbringing, culture, travels, studies, and her influence by Western and Arab intellectual trends, she concluded by presenting a productive novelistic work that she called “Chaos of the Senses,” leaving room for the reader to discover what it is and how to narrate it himself.Item سيكولوجية الشخصية في رواية الجنازة لرشيد بوجدرة(UNIVERSITY OF AIN TEMOUCHENT, 2025) قادري, يوسف; بربار، عيسىThis study, entitiled " the psychology of character in Rachid Boudjedjedra’s novel the Funeral" explores the intersection of psychology, philosophy and narrative art. It ouatines the main psychological concepts of Freud and Jung, along with the existential views of Sartre and Camus, while considering experimentation as a narrative device. The applied part focuses on clinical analyses of the characters Sarah and Salim, examining their psychological and existential conflicts. The research highlights how experimental techniques shape the chaeacters and their. Inner struggles, concluding that Boudjedra’s novel creates a space where. Psychoanalysis and existentialism converge with literary creativity.Item البنية السردية و الأبعاد الثقافية في المجموعة القصصية من يشتري التراب لٱمنة بن منصور(UNIVERSITY OF AIN TEMOUCHENT, 2025) شبيرة, شيماء; بومكحلة, ٱمنةThis research dealt with the topic of the narrative structure and cultural dimensions in the anecdotal group qho buys the dirt for Amna Bin Mansour in the theoretical chapter, the short story was discussed in terms of concept , upbringingand the most Important pioneers besides the features of the short story in Algeria. As for the applied chapter entitled the Narrative Structure and Cultural Dimensions in theanecdotal group , Who Buys the Dirt for Amna Ben Mansour model , we have made a for malstudy of the story collection. And its narrative structure , then we extracted a set of cultural dimensions reprented in the social dimension ; the political dimension ; and the hitirical dimznsion.Item توظيف التاريخ في رواية الأمير لواسيني الأعرج(UNIVERSITY OF AIN TEMOUCHENT, 2025) بن جلول, أسماء; عبد الجليل, منقورThis study seeks to examine the use of history in Wassini Al-A’raj’s novel The Gates of Iron, by analyzing the dynamic relationship between historical material and narrative fiction. The novelist does not treat history as a static record of events, but rather as a creative tool to reshape collective memory and to raise questions related to identity, belonging, and resistance. The research employed an analytical-interpretive method, focusing on the narrative and aesthetic dimensions through 85 which Al-A’raj integrates historical content, while also referring to previous studies that addressed historical fiction in modern Arabic literature. The findings reveal that Al-A’raj goes beyond recalling the past; he transforms it into a space of dialogue with the present, through a philosophical and aesthetic vision deeply rooted in Algerian memory and the struggles of colonialism and freedom. The study concludes that the historical dimension in this novel transcends mere documentation, becoming instead a medium for exploring deeper existential and political questions. Based on these insights, the research recommends further scholarly attention to the historical dimension in Arabic narrative, as it plays a vital role in re-reading the past and fostering critical awareness of the present.Item مكونات السرد في المجموعة القصصية نقطة إلى الجحيم ل: السعيد بوطاجين(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-15) عبدالرحماني, فطيمة الزهرة; عزي, مريمthrough my study of the short story collection ""Nuqta ilaal-Jaheem"" (A Point to Hell) bySaid Boutajine, I aimed to uncover the narrative components by analyzing both the narratorand the narratee, as well as the techniques employed in constructing the collection—such aslanguage use, pronouns, dialogue, anddescription. My research followed a structuredapproach consisting of the following sections: Introduction:This section was dedicated to defining key concepts and literary terms,particularly the notion of the short story, its definition, and its development within theAlgerian literary context. Chapter One:Focused on analyzing the roles of the narrator and the narratee in the stories thatmake up the collection. Chapter Two:Examined the thematic content of the stories and the narrative techniquesutilizedin their construction, including language, dialogue, description, and pronoun usage.The study concluded with a final chapter summarizing the most significant findings, amongwhich: The functions of the narrator varied across the texts, allowing the creation of multipleperspectives and resulting in a polyphonic narrative voice. The author's use of irony and symbolism positioned the narrated content in the selected storiesas a metaphorical alarm bell, reflecting the brutality of lived reality between the ruler, hisinner circle, and the people. The author relied heavily on various narrative techniques, particularly description anddialogue. He carefully depicted the characters and documented the exchanges between them,which contributed to the coherence ofthe narrative events and fostered a sense of dynamicinteraction within the text.Item صورة المرأة في المجموعة القصصية ذات الفلجتين لوردة زرقين(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-15) رمضاني, فتيحة; حجاج, ام الخيرThe short story is a literary gender, a newly established in Algeria, but this did not prevent the emergence of Algerian women’s names that achieved in a short period of creativity and presence.The subject of the two-fighter stories of a blue rose is the women, and this is represented in embodying her image in all its dimensions in its dimension inAlgerian society. Keywords: short story, Short story, Women.Item سرد المقاومة و دلالة الشخصيات في رواية ماء و ملح لسارة النمس(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-22) وراد, مريم; حلام, رقيةThis research analyzes the features of resistance narrative in the novel Water and Salt by the Algerian writer Sarah Al-Nams. The study highlights different forms of Palestinian resistance—social, political, psychological, feminist, and cultural—while also exploring the diversity and symbolism of characters in the novel. The aim is to uncover the relationship between characters and narrative elements, and how they reflect the collective struggle of the Palestinian people under occupation. The research adopts a descriptive-analytical approach to understand the narrative structure and extract the tools used to convey resistance through storytelling. The novel serves as a mirror of Palestinian reality, told through the protagonist Salma, whose personal journey merges with that of her nation.Item تمظهرات السرد في القصيدة الجزائرية المعاصرة: ( ديوان رسائل إلى آدم لآسيا علي موسى )(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-19) جباري, أسية; حطري, سميةThis dissertation examines the manifestations of narrative in the collection Letters to Adam by Algerian poet Assia Ali Moussa. Using an analytical and descriptive approach, the study highlights the narrative techniques integrated into the poetic text, such as characters, time, space, and events. It also explores how the poet articulates past and present in a rich and evocative poetic language. The work is structured into two chapters—theoretical and applied—and results highlight the interaction between narrative and poetry in contemporary poetic creation.Item جمالية العنونة في رواية - سعادة إلا ربع- لسارة محمد معريش(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-16) لعريقي, رانيا; بن منصور, آمنةThe title is a fundamental factor in the composition of a text, particularly as it represents the first and primary gateway through which the reader discovers its content. It leads the reader into the depths and mysteries of the text. The latter forms a link between the reader and the literary work. No text exists without a title. Through it, the reader appreciates the aesthetics of the text, given the connotations and hidden meanings it contains that prompt the reader to delve into the experience of searching for its hidden meaning. This is what we found in the novel "Happiness Except a Quarter," where the title is characterized by symbolism and instills an element of suspense in the reader.Item قراءة في كتاب نهضة الأدب العربي المعاصر في الجزائر1925-1945 عبد المالك مرتاض(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-25) بن عامر, سهام; معمر الدين, عبد القادرThe book of the renaissance of contemporary Arabic literature of Abdel Malik mortade is one of the critical books that contribution to understanding the topic of intellectual and literary renaissance and culture in Algeria.it must be that every renaissance of circonstances and factors that contribute negatively or positively in its development and that the most difficult thing faced by the literary renaissance in Algeria is the French use that was trying to put out every attempt to advance Algerian thought and literature.Item البعد الصوفي في الرواية الجزائرية المعاصرة : "رواية حوش النعاس" لعبد القادر حميدة - أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-16) بن صديق, رحمة; بن منصور, آمنةSufism is a religious and spiritual dimension that has developed in the hearts of ascetics, because it is considered the path to divine love and annihilation through the conditions and positions that only the one who is immersed in them realizes, due to their mystery and symbolism. This made Algerian novelists take this religious aspect into consideration, investing it in building the narrative world and drawing inspiration from the mystical experience with its saints, attractions, and spiritual manifestations that blend between reality and imagination, the outer and the inner, making the mystic in the novel a mirror of society and a voice of the inner truth. This was not a mere treatment of the subject matter, but à desire to reconstruct the inner man through à spiritual cognitive experience . This study is an attempt to explore the manifestations of mysticism in the contemporary Algerian novel, focusing on its aesthetic and semantic dimensions and revealing its role in expressing social transformations through some models that employed the mystical symbol as an artistic tool and an intellectual vision.Item القيم الروحية في قصص الأطفال (نماذج مختارة لوردة عكيف)(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-19) فرقاش, بومدين; حطري, سوميةThis study aims to shed light on spiritual values in children's stories by analyzing selected works of the Algerian author Warda Akif. The thesis focuses on the educational and moral role that storytelling plays in shaping a child's character, particularly from a spiritual perspective that includes concepts such as faith, reliance on God (tawakkul), patience, forgiveness, and justice. In the first chapter, the researcher addresses the theoretical framework of Algerian children's literature, highlighting the importance of stories as an effective educational tool. The second chapter presents an applied study of three stories, revealing how Warda Akif addresses spiritual themes in a simple narrative form suitable for a child’s mind and impactful on their emotions. The study concludes that Warda Akif’s stories represent a successful model in presenting spiritual values indirectly, enhancing moral upbringing and nurturing the child’s religious awareness through an enjoyable and educational narrative style.Item تجليات المكان في رواية هوارية لإنعام بيوض(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-19) بلقاسم, حنان; بربار, عيسىPlace is considered one of the most prominent narrative structures that modern critics and scholars have thoroughly examined, due to its capacity to transform rigid narrative frameworks into a dynamic semantic structure that contributes to meaning-making and the shaping of narrative vision. In the modern novel, place has broken free from its mere geography and architecture to become a space rich with psychological, social, political, and cultural connotations and symbols. This transformation deepens the structure of the text and intensifies its aesthetic tensions. In Houaria by An’am Bayyoudh, the author infuses symbolic and semantic dimensions into various types of spaces, allowing readers to delve into the inner tensions experienced by the characters, the conflicts that drive the plot, and the unfolding of character identities and their psychological and social transformations.Item التجليات الثقافية للتراث في رواية " حارسة الظلال " لواسيني الأعرج(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-22) رحمون, عبد القادر; بلغول, امينةThe subject of our study titled ""Cultural Manifestations of Heritage in the Novel hqrisqt al dilalby Wassini Al-Araj"" is an attempt to delve into the realms of history and heritage. Through his novel، the author reveals the cultural interweaving between Arab and Western influences in Algeria، focusing on heritage and national cultural identity. The novel also highlights historical dimensions by employing historical characters and places that reflect Algeria’s reality during the 1990s. It clearly portrays the social and political conflicts faced by the country، emphasizing the importance of memory and identity in confronting corruption and oppression. The novel reflects a journey of self- discovery and identity amid intertwined contemporary and historical challenges.Item السرد الفانتاستيكي في رواية هاء و أسفار عشتار لعز الدين جلاوجي(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-22) لوكيلي, سارة; ضرو, مختاريةFantastic literature is an open-ended creative space, where narrative transcends the traditional limitations of reality. It allows writers and readers alike to explore new worlds, strange laws, and unique experiences Thanks to its unique characteristics, fantasy literature achieves an exciting connection with the reader, making them question the meanings of reality. Although it is fictional literature, at its core it reflects real issues, fantasy worlds and myths are used for deep social and philosophical critique. The power of fantastical literature lies in its ability to stimulate ideas, broaden the horizons of thinking, and offer exceptional literary experiences. Fantastic literature remains a window into endless worlds of creativity and wonder, always reminding us that imagination is an essential part of the human experience in a rapidly changing world.Item تجليات الاغتراب في رواية سيدة المقام لواسيني الأعرج(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-22) بوشارب, وفاء; ماكني, محمدThis study examines the manifestations of alienation in their various types, as embodied in Waciny Laredj's novel ""Sayyidat al-Maqam"" (The Lady of the Maqam). The thesis aims to analyze how Laredj expresses specific types of alienation, including psychological, social, cultural, political, and religious alienation, by extracting relevant phrases and texts within the novel's intricate structure and complex characters. Employing a descriptive-analytical methodology, the study deconstructs and categorizes narrative texts into these types, seeking to uncover the underlying causes of the feelings of detachment and isolation experienced by the characters, as well as the repercussions of these feelings on their destinies and behaviors. The study concludes that the novel presents alienation not merely as an individual state, but as a multifaceted phenomenon deeply rooted in the post-independence Algerian historical and social context, thus serving as a mirror reflecting crises of identity and belongin.Item قراءة نفسية في شخصية الطفل رواية الدار الكبيرة لمحمد ديب أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-19) مرابط, جيهان; والي, مولاتThrough my study, i concluded that psychological reading in literature is a critical approach used to analyze literary texts and understand their symbols and meanings from a psychological perspective. It also focuses on analyzing characters through their internal conflicts and psychological complexes. The colonial reality, or the French occupation, appears as an internal constraint that penetrates the psyche of the characters, as we noticed in the character of Omar. The psychological reading revealed the transformation of Omar’s character and how he became a model of the child forced into early awareness. In this novel, the writer Mohamed dib did not merely portray the child’s life, but he also depicted the process of psychological development under social and political oppression. Omar lives in a state of inner turmoil and psychological alienation – not only from his society but also form his own childhood. The novel is a precise depiction of the formation of the self under psychological pressure, where all his pain – from anxiety, emotional deprivation, and repression – turns into internal psychological conflict. This conflict pushes him toward deep contemplation about his reality and his society. Thus, the child Omar in the novel serves as a reflective mirror of Algerian society during the colonial period.Item جهود التلي بن الشيخ في دراسة الشعر الشعبي الجزائري(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-18) بن عمار, يسرى رانيا; بخيتي, عيسىAlgerian popular poetry is a type of Arabic poetry composed in the local dialect, addressing all societal issues. It acts as a mirror reflecting popular identity. Its main characteristics include: antiquity, realism, dialect usage, and anonymous authorship. In terms of form, it includes quatrains and full poems. Regarding content, it is divided into two types: • The Bedouin type, characterized by vocabulary related to the desert, nature, tents, camels... It includes several forms such as: El-Qoul, En-Nam, El-Martiya, and El-Qatta'a. • The Urban type, which reflects evolution through globalization and includes vocabulary related to technology. It features styles such as El-Hawzi, El-Bouqala, and El-Houfi. Among the notable figures who embraced this literary art are Ibn Mesaib and Ibn Qitoun. Popular poetry serves as a record that has preserved all the changes experienced by Algerian society, safeguarding its traditions and customs through the dialect. One of the most prominent researchers in this field is Tali Ben Cheikh, who significantly contributed to the study and collection of popular poetry. He conducted several academic studies, including The Role of Popular Poetry in the Revolution, Foundations of Thought in Folk Literature, among others. His efforts played a major role in preserving and immortalizing this literary genre.Item المنجز الجزائري في الأجناس الأدبية من خلال الموسوعة الجزائرية للمجلس الأعلى للغة العربية(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-17) سفيون, زهراء; حطري, سميةIn my dissertation, I explored the Algerian literary achievement across different genres through the Algerian Encyclopedia issued by the High Council of the Arabic Language, focusing on its inventory and description. Through my modest efforts, I was able to examine this encyclopedia and extract literary works that were on the verge of disappearing due to a lack of collection and preservation — a task the High Council undertook. This encyclopedia gathered the Algerian literary output in various genres such as poetry, theater, novel, maqama, travel literature, autobiography, short story, and folktale. However, it did not comprehensively cover all the prominent figures who contributed to these genres. Moreover, it neglected some genres such as mythology, oratory, and epic.Item قراءة في كتاب تطور النثر الجزائري الحديث ل عبد الله الركيبي(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-25) عثماني, محمد; معمر الدين, عبد القادرDr. Abdullah Al-Rakibi's dissertation, titled ""The Evolution of Modern Algerian Prose,"" presents an in-depth study of Algerian prose from its early beginnings in the modern era up to the mid-20th century. The study aims to trace the trajectory of Algerian prose, analyze its artistic characteristics, and identify its most prominent pioneers and the stages it underwent. In his study, Al-Rakibi focuses on highlighting the various influences that shaped Algerian prose, whether internal, stemming from the Algerian environment and its culture. Al-Rakibi begins by reviewing the roots of prose in Algeria.