Etudes Critiques
URI permanent de cette collectionhttps://dspacee.univ-temouchent.edu.dz/handle/123456789/741
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Item عنصرا الثورة و التحرر في الأدب الجزائري الحديث :قراءة نقدية موضوعاتية في مسارات محمد رضا حوحو السردية نمادج بشرية أنمودجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) ملاك،صحراوي; مولاي،بوخاتمThis thesis examines the manifestations of liberationliterature in Algerian literature and its close relationshipwith the Algerian War of Independence, highlighting the role of literature in awakening national consciousness and promoting the values of resistance and freedom. The study shows thatliberationliteraturewasexpressedthroughvariouslitera ry genres, includingpoetry, novels, short stories, and drama, throughwhichwritersportrayed the suffering of the Algerian people under colonial rule and celebratedtheirheroism and sacrifices. It alsodemonstratesthatnovels and short stories contributed to conveying national values and embodying the spirit of struggle, whilerevolutionary and popularpoetryplayed a significantrolein mobilizing public awareness and advocatingliberation. Furthermore, the studyconcludesthat the martyr-writer Ahmed رضاHuhu made literature a means of social reform and resistance to colonialism, employing diverse artistic techniques to defend national identity and promote the values of education, freedom, and awareness. This made him one of the leading figures of modern Algerian literature, successfullycombiningartisticcreativitywith national commitment.Item آليات نقد المجتمع في مجموعتين السرديتين نقطة إلى الجحيم للسعيد بوطاجين و نخلة و سلطان المدينة لعز الدين جلاوجي(UNIVERSITY OF AIN TEMOUCHENT, 2026) إيمان،بن طاهر; مريم ،عزيThis study examines the issue of social criticism in the two short story collections, Point to Hell and The Palm Tree and the Sultan of the City, as an intellectual and aesthetic theme that reveals the writers' vision of social, political, and cultural reality. It also highlights the nature of the transformations experienced by Arab society and the crises and contradictions that resulted from them. The study aims to explore how the two writers employed narrative discourse and artistic techniques to diagnose manifestations of social dysfunction and expose various forms of marginalization, violence, corruption, and oppression suffered by individuals within society. In light of the findings reached, it can be argued that the two collections represent a short- story experience with a clear critical dimension. They succeeded in making literature a means of exposing social imbalances and advocating change through the integration of aesthetic and intellectual dimensions in the construction of the narrative text.Item تجليات العلاقات المعرفية بين الفكر النقدي المعاصر والتراث العربي القديم:محمد عابد الجابري نموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) أحلام سعدية،بوراس; عبد الرزاق،علاThis study analyzed the manifestations of the cognitive relationships between contemporarycriticalthought and ancientArabheritage, aiming to reveal the nature of thisrelationship and the ways in which modern criticalthought deals withheritage in light of contemporaryapproaches. The researchfocused on highlighting the major criticalapproachesadopted by contemporarycritics in reading and analyzingheritage, whilededicating an applied model to the project of Mohammed Abed Al-Jabri. The studyemployed the analyticalmethod, supported by both the historical and criticalapproaches, to examine and analyzetexts and uncovertheir cognitive dimensions. The findingsindicatethatcontemporarycriticalthought has contributed to re-readingancientArabheritagefrom a rational and critical perspective based on understanding and analysisratherthan sanctification or absolute rejection. The studyalsoshowedthat Al-Jabri’sprojectrepresented a seriousintellectualattempt to renewArabthoughtthroughcritiquing the Arabmind and revealingits cognitive structure.Item التقنيات الروائية في رواية ريح الجنوب لعبد الحميد بن هدوقة(UNIVERSITY OF AIN TEMOUCHENT, 2026) حنان ،عرباوي; أمينة،بلغولThis study examines the theoretical structure of narrative discourse and its artistic techniques within the novelistic text, positioning narration as an aesthetic and cognitive mechanism that goes beyond merely transmitting events to shaping meaning and producing signifiance. Through this study, we aimed to provide a comprehensive and systematic conception of the concept of narration in its linguistic and terminological dimensions, while deconstructing its core components represented in the communicative triangle (Narrator, Narrated, and Narratee). Furthermore, it highlights narrative techniques as procedural tools utilized by the novelist to construct the text, focusing on three pivotal elements: Time and its anachronies (analepsis and prolepsis), Space in its dynamic dimensions (places of residence and places of transition), and novelistic Characters as the driving force behind the story, whose roles vary between main, secondary, and marginal. The study concludes that the integration and mutual interaction of these components and techniques give the novelistic text its artistic identity and achieve its structural and aesthetic coherence.Item قراءة سيميائية في القصيدة الرقمية شعر الومضة "لسعاد عون عهد(UNIVERSITY OF AIN TEMOUCHENT, 2026) اخلاص، بن عمار; أمينة، بلغولThe digital poem is considered one of the literary genres belonging to digital literature, as it relies on computer technologies and modern media, employing sound and image in shaping its expressive structure. This type of literature has been given several names, including "digital literature," "electronic literature," and "interactive literature," reflecting the diversity of perspectives among researchers. The digital poem is characterized by several artistic features, which can be summarized as: condensation and suggestion, the language of paradox, and the closing code (code of ending). The semiotic approach has contributed significantly to analyzing these features and uncovering their deep meanings, making semiotics a suitable methodological tool for approaching this type of text. Among the prominent figures who have contributed to the field of digital literature are: Souad Aoun, El-Akhdar Berka, and Abderrahman El-Akhdari.Item التداخل بين الرواية والسيرة الذاتية "ذاكرة الماء" "واسيني الأعرج" أنموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) مريم، سيدي يعقوب; الشيخ،كبير"Our research, titled The Interlapping of Autobiography and the Novel: A Case Study of ""The Memory of Water"" by Waciny Laredj, consists of an introduction, an introductory chapter, two main chapters, and a conclusion. The introductory chapter addresses the history and concept of autobiography. The history of the novel is presented at the beginning of the first chapter, which also explores the relationship between the novel and autobiography, examining how they overlap and interact to form a distinct, unified genre. The second part of the research reflects the manifestations of these two genres, highlighting their characteristics and artistic structures through a descriptive and analytical framework that enables the reader to understand this literary art form."Item الاتجاه الاجتماعي في الادب النسوي الجزائري :قراءة نقدية موضوعاتية في كتابات زهور ونيسي(UNIVERSITY OF AIN TEMOUCHENT, 2026) فاطنة،حكيم; مولاي علي،بوخاتمThis study falls within the interests of modern and contemporary literary criticism, focusing on the topic: "The Social Trend in Algerian Feminist Literature: A Thematic Reading in the Writings of Zohour Ounissi." It aims to understand the dimensions of this discourse and trace its features by applying the social approach. To cover the subject comprehensively, the research is divided into three chapters. The first chapter is dedicated to defining the concepts of feminist literature, its history, and its various intellectual trends. The second chapter focuses on studying the life of the author Zohour Ounissi, her revolutionary and cultural background derived from the Association of Algerian Muslim Ulema, and her close connection to her society. The third chapter shifts to the practical side through analyzing the novel "Loundja and the Ogre" to see how the author depicted social reality and addressed its issues using narrative techniques. The research concluded with several results, most importantly that writing for Zohour Ounissi was a live social document reflecting the pain of society, and seeking to prove women's status and liberation within a framework that preserves core values, religion, and national identity.Item الزمن الكرونولوجي و الزمن النفسي في رواية "ثم لم يبق أحد " لأغاثا كريستي(UNIVERSITY OF AIN TEMOUCHENT, 2026) محمد،قادة برافع; مختارية، ضروThis study aims to analyze the use of time in Agatha Christie’s novel And Then There Were None, focusing on its two main dimensions: chronological time and psychological time. It seeks to explore the role of time in constructing events, shaping characters, and enhancing suspense in the detective novel, using the narrative analytical approach to examine the temporal structure of the text. The study shows that chronological time in the novel follows a linear and orderly sequence of events, beginning with the characters’ arrival on the island, then gradually developing through escalating crimes and growing mystery, until the final revelation of the truth. This temporal structure contributes to a tightly constructed plot based on gradual progression and suspense, which is a key feature of detective fiction.Item الخطاب الساخر في القصة الجزائرية المعاصرة: مقاربة نقدية اجتماعية في قصص عيسى شريط(UNIVERSITY OF AIN TEMOUCHENT, 2026) ولاء،حالي; عبد الجليل،منقورThis study examines satirical discourse in contemporary Algerian short fiction, with the stories of AissaChrit as a case study. It investigates satire as both an artistic and critical mechanism capable of revealing the contradictions of Algerian social reality. The research starts from a central question concerning the ways in which satirical discourse appears in AissaChrit’s stories, and the narrative and linguistic techniques through which the writer transforms satire into a tool for exposing social, administrative, and political dysfunctions. To address this issue, the study adopts the descriptive analytical method, supported by a socio-critical approach, in order to connect the selected short stories to their social background while preserving their artistic and aesthetic specificity. The study shows that satire in AissaChrit’s stories is not based on superficial humor, but on irony, sarcasm, symbolism, and everyday language. Simple narrative elements such as “the queue,” “the employee,” and “the hat” become meaningful signs of waiting, bureaucracy, and symbolic power. The study concludes that satirical discourse in AissaChrit’s short fiction functions as a deep form of social criticism, exposing the problematic relationship between the individual and the institution, and demonstrating the ability of contemporary Algerian short fiction to question reality through condensed and effective artistic tools.Item منهج التذوق في نقد الشعر: ديوان القوس العذراء لمحمود محمد شاكر نموذجا(UNIVERSITY OF AIN TEMOUCHENT, 2026) إلهام،بوشقيف; خالد،بن زيانThis study addresses "The Approach of Taste in Poetry Criticism: The Diwan of Al-Qaws Al-Adhraa (The Virgin Bow) by Mahmoud Muhammad Shakir as a Model." It aims to deconstruct and analyze the poetic text by diving deep into its layers to reveal the dynamic interaction between the recipient's emotion and intellect. Furthermore, the study is divided into two parts: a theoretical aspect (which deals with the linguistic concept and its critical terminology) and a practical aspect (which analyzes the poems of the Al-Qaws Al-Adhraa collection). The study concludes that the "taste-based approach" of Shakir is an integrated methodology that brilliantly merges subjectivity (feeling) and objectivity (language).Item آليات التفكر النقدي بين المرجعية الغربية و التراث العربي: دراسة في كتاب "في نظرية النقد" لعبد الملك مرتاض(UNIVERSITY OF AIN TEMOUCHENT, 2026) رحمة لبنى،بن رمضان; عبد الرزاق،علاThis research aims to shed light on the mechanisms of critical thinking between western references and Arab heritage in general, focusing on the book Theory of Criticism. Through this topic, we became acquainted with critical thinking, western references, and heritage. This subject is considered important due to the aspects of difference and integration that exist between western references and Arab heritage. Therefore, this study emphasized examining these mechanisms through the works of Abd-al Malik Murtad particularly because he distinguished himself through the reconciliation between western culture and Arab heritage. Murtad is also considered one of the most prominent critics who adopted the approaches of authenticity and contemporaneity.Item البناء الفني في شعر أبي القاسم سعد الله(UNIVERSITY OF AIN TEMOUCHENT, 2026) شيماء،رحماني; خالد،بن زيانThe study explores the artistic structure in the poetry of Abu al Qassim Saadallah through his Diwan Al-Zaman Al-Akhdar. It highlights his importance as a major Algerian poet known for combining authenticity with innovation, and for the richness of his language and the depth of his intellectual and national themes. The research focuses on analyzing the main artistic elements in his poetry, such as imagery, rhythm, language, and stylistic techniques. It is based on two poems: a classical poem, “Anthem of Youth” and a free verse poem “The Revolution” in order to show the artistic characteristics of each.Item التلاقح السردي بين الرواية و المسرح :مملكة الفراشة لواسيني لعرج(UNIVERSITY OF AIN TEMOUCHENT, 2026) فاطمة زهرة،محمدي; عبدلي، بدادThe novel Butterflies by واسيني الأعرج represents a remarkable example of the interaction between the novel and theater. The writer successfully combines narrative storytelling with dramatic theatrical techniques in a modern artistic form. Through intense dialogue, successive scenes, and theatrical presentation methods, the reader feels as if the events are unfolding on a stage rather than simply being read in a novel. The author also presents the characters in a dramatic way, making them appear like theatrical performers carrying deep psychological and intellectual dimensions. In addition, the novel relies heavily on conflict, movement, and dramatic tension, which are key characteristics of theater more than traditional narrative writing. At the same time, the work preserves the essential features of the novel through inner description, flashbacks, and exploration of the characters’ inner worlds. This creates a balance between the narrative and theatrical dimensions. Such artistic blending gives the text vitality and aesthetic richness, transforming narration into a visual and dynamic space that reflects human and social issues in a contemporary style.Item مشروع محمود محمد شاكر النقدي بين النظرية والموقف(UNIVERSITY OF AIN TEMOUCHENT, 2026) مريم وفاء ،بكوش; عيسى، بخيتيModern and contemporary Arabic literary Criticism has witnessed a profound transformation due to it's openness to the west and its critical approaches, which led to a partial break from its past and heritage. This sparked widespread debate within literary critical circles devided between proponents and opponents of this shift. Amidst these changes, Mahmoud Mohammad shaker emerges as a critic, who strongly rejected these western critical approches and became one of their most notable opponents. He argues that they don't adequately serve the Arabic text because they differ completely from its Arab islamic origins. So, the real crisis is the crisis of the absence of methodology which is connected to the nation's language and identity. Mohmoud Mohammad shaker advocated for the necessity of returning to heritage, as a cognitive and methodological vessel capable of restoring an authentic critical awarness, proposing an alternative to these methodologies . It is represented by literary appreciation approach which delves into the depths of the text, comprehending its language and cultural identity emphasizing that the true comprehension of literarure is only possible through living the text and interacting with it.Item تجليات الحداثة في شعر نصيرة محمدي(UNIVERSITY OF AIN TEMOUCHENT, 2026) فضيلة،دراوي; رقية،حلامthis research entitled" manifestation of modernity in the poetry of Nassira Mohammadi" combines a theoretical study of the concept of modernity and its origins in Arabic literature in general، and Algerian literature in particular، with the concept of the term "Fiminist literature"and its manifestation in Algerian poetry، with an applied study of the manifestation of modernity in Nassira Mohammadi 's poetry، this applied study examines the poetic image and its intensification through the use of symbol، myth ،and rhetorical figures، as well as the musical rhytm، both external and internal، while also identifying the boundaries of innovation and modernity in her poetry.Item دراسة في كتاب علم اجتماع الأدب لسيد البحراوي(UNIVERSITY OF AIN TEMOUCHENT, 2026) أمينة، قرقابو; جلال،مصطفاويThis study deals with the sociology of literature to Dr. Sayed El-Bahrawi, through presenting the most important critical issues and concepts discussed in his book The Sociology of Literature. It aims to highlight the relationship between literature and society, and to reveal the critical approach adopted by El- Bahrawi in analyzing the literary text from a sociological perspective. The study also seeks to clarify the major concepts he focused on, such as worldview and the content of form, while showing the importance of sociological criticism in understanding and analyzing literary works.Item المكوّن السّردي في رواية الخيميائي لباولو كويلو(UNIVERSITY OF AIN TEMOUCHENT, 2026) مباركة، بوعرفة; سمية،حطريThe narrative component in the novel "The Alchemist" plays a pivotal role in shaping the reader's experience and tracing the journey of the main character toward achieving their dream and self-discovery. Narration here is not merely a means of recounting events, but a spiritual tool through which the philosophical and spiritual ideas carried by the novel are woven, making the story a reflective experience rich in meanings.Item دراسة في كتاب التحليل الموضوعاتي للخطاب الشعري للدكتور يوسف وغليسي(UNIVERSITY OF AIN TEMOUCHENT, 2026) دعاء رابحة،مناع; جلال،مصطفاويThis study comes within framework of the growing intersst in moden literary criticism methodologies .it takes as its subject the book « thematic analysis of poetic discourse : a study of the constants of the method itsa arab transformation and attempts to apply it » by youssef waghlissi this book is considered one of the most prominent arab critical attempts that sought to establish the timatic method and apply it to poetic texts through this study it aims to reveal the theoretical foundations upon which thematic analysis is besed as presented by youssef waghlissi while also identifying points of ovrelap between the thematic method and other critical methodologiesItem قراءةٌ في كتاب"بحوثٌ في المنهج" لشكري عزيز الماضي(UNIVERSITY OF AIN TEMOUCHENT, 2026) أم الخير ،قورين; جلال،مصطفاويThis study revolves around a contemporary Arabic critical book entitled Research in Methodology by the Palestinian critic Shukri Aziz Madi. The study aims to examine the book in terms of its subject matter, intellectual and critical contents, the methodology adopted in the research, the questions raised and their relationship to the Arab cultural context, as well as the book’s results regarding accuracy, novelty, and originality. Through this study, we concluded that the book is considered an important reference for understanding contemporary critical methodologies because it is rich in diverse intellectual content that combines the old and the modern, as well as the Arab and the Western traditions. Moreover, its hypotheses, foundations, and thesis were presented according to a well-structured scientific method characterized by coherent methodological steps based on argumentation and constructive criticism.Item البنية اللسانية و دلالاتها الخطابية القرآنية في سورة الانفطار(UNIVERSITY OF AIN TEMOUCHENT, 2025-06-24) بوعرفة, ريضا; مغني صنديد, محمد نجيبLinguistique constitutes an effective analytical tool for approachibg texts, especially the Quranic text, which is characterized by its integrated structures and multiple semantic dimensions.since its emergence in the late nineteenth century, this field has provided new opportunities for researchers to delve into the structural depth of the Quranic text through the interaction of phonological, morphological, syntactic, and semantic levels within a coherent and systematic framework.this dissertation seeks to study the linguistic structure and its discursive implications in Surat Al-infitar, relying on the tools of contemporary linguistic analysis.
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