التقنيات الروائية في رواية ريح الجنوب لعبد الحميد بن هدوقة

Abstract

This study examines the theoretical structure of narrative discourse and its artistic techniques within the novelistic text, positioning narration as an aesthetic and cognitive mechanism that goes beyond merely transmitting events to shaping meaning and producing signifiance. Through this study, we aimed to provide a comprehensive and systematic conception of the concept of narration in its linguistic and terminological dimensions, while deconstructing its core components represented in the communicative triangle (Narrator, Narrated, and Narratee). Furthermore, it highlights narrative techniques as procedural tools utilized by the novelist to construct the text, focusing on three pivotal elements: Time and its anachronies (analepsis and prolepsis), Space in its dynamic dimensions (places of residence and places of transition), and novelistic Characters as the driving force behind the story, whose roles vary between main, secondary, and marginal. The study concludes that the integration and mutual interaction of these components and techniques give the novelistic text its artistic identity and achieve its structural and aesthetic coherence.