اللغة السينمائية في الشعر الجزائري المعاصر ديوان "حرسني الظل" لأزراج عمر أنموذجا

Abstract

This study explores the phenomenon of "cinematic language" in contemporary Algerian poetry, specifically through an analytical study of the poetry collection Kharsani al-Zill (The Shadow Silenced Me) by the poet Omar Azraj. The research aims to investigate how Algerian poets utilize cinematic techniques—such as montage, framing, and intensification—to transcend the traditional structures of the poem. The study concludes that the integration of these techniques serves as a fundamental transformation, providing the poetic text with visual dynamism and multi-dimensional temporal and spatial perspectives. This transforms the poem into a cinematic space that bridges the essence of poetry with the movement of film, thereby enhancing the interaction between the creator and the reader through intensified imagery that deepens the aesthetic experience.