القصيدة النثرية في ديوان "أسماء الحب المستعارة" للشاعرة منيرة سعدة خلخال

Abstract

In this dissertation entitled Prose Poetry in Monira Saâda Khalkhal’s Collection “The Pseudonymous Names of Love”, we presented a study combining both theoretical and practical approaches. In the theoretical part, we discussed the concept of prose poetry, its origins, and the stages of its development, especially in Algeria, as well as its relationship with women’s writing, since it has become a means of expressing feminine identity, painful experiences, and creative and literary concerns. As for the practical part, we analyzed a selection of the poet’s poems in order to highlight the aesthetic features she employed, such as symbolic poetic imagery, condensed language, internal rhythm, and others. In conclusion, we found that prose poetry represented an open space for expressing women’s emotional experiences. Through this new literary genre, the poetess succeeded in expressing her personal experience in a suggestive poetic language that harmonizes with the specific characteristics of prose poetry.