La pluralité identitaire comme stratégie discursive. L’exemple de Ce que le jour doit à la nuit de Yasmina KHADRA

Abstract

To shape the fictional identity of her character, Yasmina KHADRA appealed in his novelistic project a many of discursive strategies allowing him to sculpt the most important of his characters, his main character Younes, renamed Jonas. Using techniques such as "space", the author diversifies the places in order to embroider the future of his narrator. Not content with this means alone, he uses discursive elements such as onomastics to mark his actors with a hot iron. Binarism has also played a major role in this quest for identity in order to reveal the proliferation of identity to which Younes is subject.