L’image de l’enfant dans les photographies représentatives des attaques sur Gaza de l’été 2014

Abstract

Due to its universal significance, photography as a means of representation of reality becomes the ideal tool on the Facebook social network to speak about the war and by offering an image of the child in crisis. A kind of violence that claims to disavow violence in co-constructing of a new "values" and a new side of a digital humanism. This joint construction is achieved through the interaction of three basic elements, namely, the operator, the spectator and the spectrum.