Le sensible, le pathémique et le signifié dans le discours filmique diffusé au festival des Mokhtar

Abstract

The objective of this work is to connect the sensitive and the expression of emotions, interacting on the axes of cinematographic form and content, in order to explain the possible meanings transmitted by the short film. From this point of view, the cinematographic art analyzed here seems to be a means of accessing self-consciousness, by externalizing figures of thought, on a reality, through the pathemic turn. The transition from one point of view to another is thus achieved through the negotiation of the sensitive and the detour of strong emotions allowing it to contribute to an underlying discursive production of a religious community.