BAHRI, Souâd2024-05-142024-05-142017http://dspace.univ-temouchent.edu.dz/handle/123456789/3977Due to its universal significance, photography as a means of representation of reality becomes the ideal tool on the Facebook social network to speak about the war and by offering an image of the child in crisis. A kind of violence that claims to disavow violence in co-constructing of a new "values" and a new side of a digital humanism. This joint construction is achieved through the interaction of three basic elements, namely, the operator, the spectator and the spectrum.photography, children, war, representations, semiotic.L’image de l’enfant dans les photographies représentatives des attaques sur Gaza de l’été 2014