BAHRI, Souad2024-05-142024-05-142023http://dspace.univ-temouchent.edu.dz/handle/123456789/3975The short films screened at the Mokhtar festival offer an artistic genre retracing the religious experience of the Muslim diaspora. It is a cinema that co-constructs representations of the Muslim tradition and deconstructs the surrounding so-called "Islamophobic" discourses. Through a discursive and semiological study, this work proposes to explain the possible meanings that this kind of cinema, of a community nature, can imply in terms of the content conveyed by cinematographic processes.Short film, religious experience, content, meanings, Islam, representations.