Please use this identifier to cite or link to this item: http://dspace.univ-temouchent.edu.dz/handle/123456789/6091
Title: الشعرية في المنجز النقدي الجزائري -حسين خمري وبشير تاوريريت نموذجا-
Authors: لكحل, مجدوب
بوقاسمية, سمية
Keywords: الشعرية-الادب العربي-النقد الجزائري-بشير تاوريريت-حسين خمري
Poetics - Arabic Literature - Algerian Criticism - Bachir Taouriret - Hussein Khomri.
Issue Date: 2024
Abstract: Through this study, we investigated the topic of poetics in Arabic literature, and we found that it did not settle on a fixed and specific topic. This was the problem that led us to search and explore it among Algerian creators and critics, in the hope of identifying its most prominent stations, issues, types and determinants in a way that removes confusion about it, and clarifies the vision for the recipient by combining and reconciling the poetics in our Arab heritage, and the poetics in our modern Algerian criticism, where we stood at a group of Algerian critics, led by the critics (Bashir Taouririt and Hussein Khomri). What was stated in the studies and research of the critic “Bashir Taouririt” regarding the critical experience on the concepts of poetics is a presentation of all previous experiences and textual theories, and a rooting of the features of poetics in the Arab and Western studies. For him, poetics lies in the horizons of writing that establish the shaking of the familiar and ordinary into the strange and different, all the way to the unknown, the anonymous, the invisible, and what is beyond the tangible, as we find him recognizing all previous critical concepts by presenting the concepts, starting points, origins, and features, following Western critics in their proposals about the concept of poetics, and the Arab critic “Adonis” in his visionary view of this concept. Critic Hussein Khomri tries to create a new concept from the poetics of literature to the poetics of criticism with a different vision and new tools, by questioning the poetic phenomenon in its presence and absence, its appearance and denial, its ferocity and tension, its revelations and connotations, its harmony and difference. For him, poetry is creation and creativity that invents all ways to establish an experimental vision. It is infinite as a conscious, cultural process of constant research and engagement in means and procedures, and discovery in texts, discourses, and cognitive fields.
URI: http://dspace.univ-temouchent.edu.dz/handle/123456789/6091
Appears in Collections:Faculté des Lettres et Langues et sciences sociales



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