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dc.contributor.authorهونت, سارة-
dc.contributor.authorالزين, فتيحة-
dc.date.accessioned2025-02-13T13:05:31Z-
dc.date.available2025-02-13T13:05:31Z-
dc.date.issued2025-
dc.identifier.urihttp://dspace.univ-temouchent.edu.dz/handle/123456789/6055-
dc.description.abstractThe Algerian literary scene has known a remarkable diversity in its literary genres. The crises that have befallen Algerian society for many years have made every Algerian writer aspire to express his lived reality using the literary genre that suits him. But if this writer decided to express his reality by relying on the autobiographical genre, is it reasonable that Does he rely on imagination in conveying the reality of his life, the life of his community, or will he speak realistically, conveying the events he lived through as they are, without addition or subtraction? This is what we will try to answer through our study of the biography of Mutafa Fasi Symphony of Agony.en_US
dc.language.isootheren_US
dc.subjectbiography / reality / imagination / symphony of agony.en_US
dc.titleالتخييل والواقع في السيرة الذاتية سيمفونية العذاب لمصطفى فاسي نموذجاen_US
dc.typeThesisen_US
Appears in Collections:Faculté des Lettres et Langues et sciences sociales

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