Please use this identifier to cite or link to this item: http://dspace.univ-temouchent.edu.dz/handle/123456789/5650
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dc.contributor.authorبن طلحة, سلسبيل-
dc.contributor.authorبن عمور, ندى شيماء-
dc.contributor.authorبن عيسى, خليدة-
dc.date.accessioned2024-12-09T07:51:44Z-
dc.date.available2024-12-09T07:51:44Z-
dc.date.issued2024-
dc.identifier.urihttp://dspace.univ-temouchent.edu.dz/handle/123456789/5650-
dc.description.abstractThe research deals with the Algerian poetry that was on the lips of the Algerian revolution, recording its events in their details and terrain, and reflecting those who participated in it with their natures and diversities. And the poets' burden is the sound of the machine gun, so that the word and the poem are another voice attacking the French, and a voice and an interpreter for the revolution and the revolutionaries, their chants, their anthems, their pains, their hopes and their dreams, after what comes after the revolution. The Algerian depends on his survival from the homeland in which he lives and by which he is inspired by revolution and rebellion and in which he strengthens himself, so with the blood of our martyrs. I wrote our research. In this research paper, Algerian revolutionary poetry achieved its ethnic self as a result of the completion of the overall elements of poetry, meter, rhyme, internal and external rhythm, the poetic image and the language that rose above the language itself and removed from its usual stereotyping, and the poets’ experiences and perceptions varieden_US
dc.language.isootheren_US
dc.publisherUNIVERSITY OF AIN TEMOUCHENTen_US
dc.relation.ispartofseries2023/2024;-
dc.subjectdiscourse, revolutionary poetry, heterosexual writings. 116en_US
dc.subjectالخطاب،الشعر الثوري،الكتابات الغيريةen_US
dc.titleخطاب الشعر الثوري الجزائري في الكتابات الغيرية : دراسة في المستويات اللسانيةen_US
dc.typeThesisen_US
Appears in Collections:Etudes Linguistiques

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