Please use this identifier to cite or link to this item: http://dspace.univ-temouchent.edu.dz/handle/123456789/5644
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dc.contributor.authorرميني, سناء-
dc.contributor.authorداودي, فرح-
dc.contributor.authorبن منصور, آمنة-
dc.date.accessioned2024-12-08T14:01:15Z-
dc.date.available2024-12-08T14:01:15Z-
dc.date.issued2024-
dc.identifier.urihttp://dspace.univ-temouchent.edu.dz/handle/123456789/5644-
dc.description.abstractThis study aims to reveal the aesthetics of experimentation in the novel Collage by Ahmed Abdel Karim, including an introduction, entry , two chapters, and a conclusion. In the entry, we discussed beauty and aesthetics, and the concept of experimentation linguistically and idiomatically, followed by the first theoretical chapter in which we focused on novelistic experimentation and its manifestations. As for the second applied chapter, we studied the manifestations of experimentation in the novel Collage, which was represented by the spirituality of Arabic calligraphy, recalling ancient history with its characters, temporal paradoxes, heritage, and multilingualism, in addition to breaking taboos. We ended our research with a conclusion in which we extracted some of the results of the research.en_US
dc.language.isootheren_US
dc.publisherUNIVERSITY OF AIN TEMOUCHENTen_US
dc.relation.ispartofseries2023/2024;-
dc.subjectaesthetic - experimentation - novelen_US
dc.subjectالجمالية،التجريب،الروايةen_US
dc.titleجمالية التجريب في رواية كولاج لأحمد عبد الكريمen_US
dc.typeThesisen_US
Appears in Collections:Etudes Littèratures

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