Please use this identifier to cite or link to this item: http://dspace.univ-temouchent.edu.dz/handle/123456789/1328
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dc.contributor.authorOuaha, Sarra-
dc.date.accessioned2023-12-31T08:11:56Z-
dc.date.available2023-12-31T08:11:56Z-
dc.date.issued2022-
dc.identifier.citationhttps://theses.univ-temouchent.edu.dz/opac_css/doc_num.php?explnum_id=4839en_US
dc.identifier.urihttps://dspace.univ-temouchent.edu.dz/handle/123456789/1328-
dc.description.abstractIt is said that great literature is often deeply philosophical, and great philosophy is often great literature. The Catcher in the Rye (1951), a controversial novel by J.D. Salinger, ranks among the great works of literature. The study under consideration approaches the novel from a nihilistic perspective by exploring nihilism themes that may frame Holden as a nihilistic hero and the novel as a nihilistic literary work, thereby expanding the meanings readers can derive from this American novel. Nihilism is used as a theoretical framework because it is foremost an attitude of revolt, which is what best describes the protagonist's case against his society. This work also uses a psychological dimension, where light is shed on themes such as isolation, illusion, and depression.en_US
dc.language.isoenen_US
dc.subjectJ.D. Salinger, Nihilism, isolation, illusion, depressionen_US
dc.titleNihilism in The Catcher in The Rye by J.D. Salingeren_US
dc.typeOtheren_US
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